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1007 Market Street (nr. 6th St.)
San Francisco, CA 94103 USA GALLERY HOURS: WED-SAT. 12-5PM & APPT. DURING EXHIBITIONS AND EVENING PERFORMANCES AS LISTED BELOW.... (MAP) the luggage store annex aka 509 cultural center 509 Ellis Street (nr. Leavenworth) San Francisco, CA 94109 USA. (MAP)
Cohen Alley Tenderloin National Forest San Francisco, CA 94109 USA HOURS: WEDNESDAY-SATURDAY, 11AM-3PM (MAP) 1 415 255 5971 LUGGAGE STORE IS PLEASED TO ANNOUNCE THAT COHEN ALLEY/TENDERLOIN NATIONAL FOREST HAS BEEN SELECTED BY SAN FRANCISCO BEAUTIFUL FOR A 2010 AWARD!
PLEASE DO NOT USE "JOIN OUR MAILING LIST" TO THE LEFT OF THE WEBSITE. SORRY FOR INCONVENIENCES...LUGGAGE STORE
USE THIS AND SIGN UP HERE..
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OUR IMAGE GALLERY was in chronological order from the most recent exhibition at the top page "backwards." Somehow this was completely disarranged. We ARE CURRENTLY IN THE PROCESS OF CORRECTING THIS. IN THE MEANTIME, IF YOU ARE LOOKING FOR AN EXHIBITION, YOU CAN TYPE THE ARTIST'S NAME, NAME OF SHOW IN THE SEARCH FIELD OF THE IMAGE GALLERY. SORRY FOR THIS INCONVENIENCE. SO ARE WE!! laurie
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SHORTCUTS at The Luggage Store Annex, 509 Ellis Street, San Francisco

Granny’s Missed You Curated by Constance Castillo Tucker Bennett - Constance Castillo - Josh Freydkis - Francesca Ira – Maxine Puorro August 20 - August 28th 2010 Closing Reception 7:00pm – 10:00pm August 28th Sometimes in silence there is a humming noise. A feeling that something might not be right. Through varied mediums, five artists under the age of 21 and raised in the Bay Area will engage in a disturbance of beauty. Focused around a short story written by Penelope Lin, the multimedia show will include installation, film, photography, and mixed media. Existing in the distance between lingering memories and emerging presence these artistic distortions will act as an elegy for the material life. Granny’s Missed You is part of the Luggage Store’s Short Cuts Program which seeks to identify, support, and emerge new and/or young curators and artists. The Short Cuts Program, now in its tenth year, is funded by the National Endowment for the Arts. An excerpt from “HOME” by Penelope Yow-Shiuan Lin: Speak up, she says. And the aunts drag me from her musty room that hangs with blanched calendars of supple apples and framed pictures of blue-eyed children clipped from magazines. One turns on the dubbed cartoons and the other pushes me down on the black leather couch in the living room. I know better than to touch the remote. Granny’s missed you, they say.
Tucker Bennett A filmmaker living in San Francisco, he is currently studying at the San Francisco Art Institute. His videos have screened across America, and his first feature "Why Are You Weird?" was called "The best VHS feature film to be made in 2009" by Interview Magazine.
Constance Castillo A visual and spoken word artist, she was born and raised in San Francisco and is currently pursuing a major in interdisciplinary studies at Columbia University. Through the exploitation of familiarity she enjoys manipulating standards of normalcy. Working in the realm of creative intervention, she attempts to present accurate portraits of emotion in the remnants of leftover memories and stretched smiles.
Josh Freydkis Born and raised in San Francisco, he is currently pursuing a BFA at NYU, and has spent the past year living and working in Berlin. Rooted in a childhood obsession with horror and the occult, his work juxtaposes the aesthetic of sacrificial ceremony within a contemporary storyline.
Penelope Yow-Shiuan Lin Entering her sophomore year at Columbia University, she is a creative writing and visual arts double major. Her work explores the way the past and its lessons fester in the state of memory and emerge in the present, a fiction of it’s own.
Maxine Puorro Hailing from San Francisco, Maxine is now studying at Vassar College in New York. She has been compulsively making art for a good while. Her work disparages unnecessary seriousness through playful irony and dry humor.
Francesca Ira A film major at Pratt Institute, she lives between the Bay and Brooklyn. She explores patterns of intensity and subtlety, and how we become what we thought we always had to be. She views the camera as the seeing thing I don't see because it is whatever it sees. But says, “The courage to expose without film is what I'm waiting for. Wind bends better than the light.” |
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Luggage Store Gallery, Ground Floor, 1007 Market Street, San Francisco
CAPITALISM IS OVER
July
18 – August 28, 2010 Ground Floor Gallery open Tuesdays
and Fridays at noon Installation can be viewed outside the Luggage
Store Gallery on Market Street
WHERE: public
spaces in San Francisco including the financial and shopping districts downtown, other venues around the world, online, and a nightly projection
series (starting the last week in July)
WHO: Artists/Writers/Spaces
include: Adriana
Varella, Amy Berk, Andy Cox, Anthony Marcellini, B, bantercut, Cat Ferrez, Char
Tan, Cheryl Meeker, Dan and Cheryl, Eliza Barrios, Francesca Pastine, Gordon
Winiemko, Guy Overfelt, Heather Sparks, Hugh Behm-Steinberg, Jenny Bitner, Josh
Wilson, Katherine Worel, KWIK, Les Soeurs Dissentient (L.S.D.), Lowell Darling,
Luther Thie, The Luggage Store Gallery, Marina Perez-Wong, Mattew Rana, Maw
Shein Win, Megan Wilson, Meridian Gallery, Michael Rauner, Michael Zheng, Myron
Michael, Pato En La Cara, Patricia K Kelly, Paz De la Calzada, Peter Haas,
Rhonda Winter, Sarah Lewison, Sean Fletcher & Isabel Reichert, Sean Kennedy,
Stephen Parr/ Oddball Film & Video, Steven Wolf, TWCDC (Together We Can
Defeat Capitalism), Valerie Soe.
WHAT: Artworks
in the media of performative interventions, stickers, posters, web presence,
video projections and more. Specific project descriptions to follow in weekly
press releases.
WHY: Capitalism
Is Over! If You Want It is a series of interruptions/actions launched
in response to the need for a fundamental shift in our approach to
Capitalism and the negative impact it has on the environment, health, and
well being of all. The status quo is not sustainable. The title of the project
references John and Yoko’s powerful “WAR IS OVER If You Want It” campaign.
Project examples include:
This Little Piggy Went To Market
(Megan Wilson)
is a pink plush pig pushing a shopping cart through the financial district
giving away hand made signs exposing economic inequities.
Together We Can
Defeat Capitalism (TWCDC), a guerrilla art group fighting capitalism since 1996, sticks (it) to
the system once again ferrying a hostage Piggy around downtown in “Das Vegetal”
and offering stickers with the slogan Capitalism is Over If You Want it.
Consumers on Strike! hold signs and march
around the shopping district beginning at Macys and ending in the park.
Daily Slots (Eliza Barrios and
Paz De la Calzada) repurposes news stands located
along Market and Montgomery Street with alternative messages focusing on the
economy, consumerism and the un-sustainability of the capitalistic culture.
New York Times Action (Francesca Pastine) covers the NYTimes with graphite pencils, engaging with passersbys about the
nature of censorship and the meaning of information.
World
Border Acupuncture Treatment (Lowell Darling) places needles in the
earth to increase the flow of people on the planet starting at The Great
Highway in SF.
Sean Fletcher and Isabel
Reichert loudly
argue about money, honesty, infidelity, or getting lost as they travel between
different companies related to oil.
News from the Heartland offers broadcast freeze frames of
the flood of foreclosures, banking collapses, and gold standard delirium.
Market Fatigue (Dan and Cheryl™)
stay in bed
because they have run to the end of their credit limits, are exhausted by
looking for jobs, and to protest the proposed sit-lie law.
DOMA: DO ME (B) offers a Buenos Aires,
Argentina perspective with a photonovel, How
Fragile Everything Is. 3:43 min., stills and DV projections
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upcoming at the Luggage Store Annex, 509 Ellis Street, San Francisco Community Property Featuring artists in residence Chris Evans and Ernest Jolly September 6 - November 20, 2010
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REHISTORICIZING ABSTRACT EXPRESSIONISM 1950s-1960s SYMPOSIUM
SEPTEMBER 10-11, 2010 AT THE San Francisco Art Institute 800 CHESTNUT STREET, Click see more for more information...
This large scale exhibition, which showed at the Luggage Store Gallery, creates and contextualizes an archive of women artists and artists of color who were undervalued because of the public and personal hegemonic social and aesthetic scrutiny at that time.
CARLOS VILLA, curator featuring work by Nell Sinton, Barbaa Rogers, Bernice Bing, Deborah Remington, Mary O'Neal, Cornelai Schultz, Ruth Asawa, Dewey Crumpler, George Miyasaki, Jose Montoya, Luis Cervantes, Manuel Neri, Joan Brown, Jay DeFeo, Bob Closescott, Joe Overstreet, Allan Gordon, Arthur Okamura, Sung Woo Chun, Win Ng, Leo Valledor, Patricia Toro, Frank LaPena, Jimmy Suzuki, Esteban Villa, Arthur Monroe, Sonya Gechtoff, Gary Woo and Jim Marshall, Jerry Bruchard and ephemera, courtesy of the SFAI Library. For more information see REHISTORICIZING
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at the Luggage Store Gallery, 1007 Market Street, SF
10th Anniversary Fecal Face group show curated by John Trippe September 10th - October 9th, 2010, OPENING RECEPTION: Friday, September 10, 2010, 6-8pm
Gallery hours Wed-Sat, 12-5pm and by appointment
Featured Artists:
Corey Arnold (Portland), Tiffany Bozic (San Francisco),
Kelsey Brookes (San Diego), David Choe (Los Angeles), Richard Colman ( Los
Angeles) , Faile (New York), Jeremy Fish (San Francisco), Ian Francis (London)
, Matt Furie (San Francisco) , Mike Giant (San Francisco), Henry Gunderson (San
Francisco), Maya Hayuk (New York), Jim Houser (Philadelphia), Jay Howell (San
Francisco), Sylvia Ji (Los Angeles), Mel Kadel (Los Angeles), Anthony Lister
(New York), Mars-1 (San Francisco), Travis Millard (Los Angeles), Ferris Plock
(San Francisco), Albert Reyes (Los Angeles), Jeff Soto (Los Angeles), Damon
Soule (New York), Kelly Tunstall (San Francisco), Aiyana Udesen (San
Francisco), Oliver Vernon (San Francisco), and Megan Whitmarsh (Los Angeles)
FECAL FACE DOT COM is a content-rich, comprehensive,
multidisciplinary
art and culture website supporting the art scene in San Francisco and beyond
since 2000.
With its roots in the stone-age of the internet, Fecal Face was the first of
its kind - an onlinedestination featuring blogs, articles, interviews and
awesomeness when the internet itself wasjust starting out. With almost ten
years under its belt, the site now greets between 11,000-14,000 visitors a day,
occupying a unique niche online and in the "real world," by
chronicling andshaping the local, national and international contemporary arts
scene.
In January 2008, Fecal Face opened Fecal Face Dot Gallery (66 Gough St, San
Francisco), a physical destination for the website offering visitors the
opportunity to experience, in person, the work they see showcased online. With
a new installation each month and opportunities to meet the artists, it’s a way
to merge what Fecal Face has been doing online since 2000 into the vibrant art
scene of San Francisco.
About John Tripp
Fecal Face Founder and 10 Yr. Curator
Trippe moved to San Francisco in 1993 from the Midwest via the East Coast to
immerse himself in the dynamic Bay Area skateboard scene of the 90s. While
skateboarding semi-professionally John went on to work in all artistic fields
within the industry from magazine layout at Thrasher Magazine to filming,
directing and producing videos for a number of skate companies. While working
at Thrasher in 1998 he created Fecal Face first as a homemade/ Kinkos produced
zine to chronicle his friends' artworks and his own photography and writing.
After teaching himself html in 2000, he moved the Fecal Face online to gain a
wider audience and to satisfy his nerdy desire to learn web programming.
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